I have encountered people who experienced life vicariously through movies. I will admit to wanting to see something or someone so I manage to create it in a painting. This process started out long ago in far more modest scale as a boy of 16. A visual condition which defines an original work like no other is texture. Sculptural relief really is only a texture scaled up. In ‘Not My Eyes’ as often is true I needed incompatible elements. I wanted you and I to see this supple and beautiful draping pose. I was even willing to paint her in cool turquoise in contrast to primarily warm background with cool complimentary accents. Not allowing you to escape ‘looking’ at her. To make something compelling in the best way is to make it irresistible and morally repugnant simultaneously. Of course the repugnant part is where the denial starts. I was equally committed to the sensuality of the back ground as the pose. To see this painting in person is to be simultaneously caught by its texture/color and sexuality. When I speak of this painting I use the term barroom nude. That does not come close to revealing how I feel about this girl, this fantasy, this picture though. The challenge here, not the only one by any means, was to paint the reclining woman with her legs akimbo retain dignity while providing intrigue for the audience and myself. Let the seduction happen . More like get out of the way.